Companys booth reveals the importance of fairs support for lesser-known artists and galleries without the deepest pockets. Pace Gallery, New York, London, Hong Kong, Seoul, Geneva, Palo Alto, East Hampton, Palm Beach All Rights Reserved. Without an identity, Who exists only as an image, a status that allows them the freedom to roam a world of online imagesin a greedy search for a self. Fans of other 21st-century appropriatorsShepard Fairey, Richard Prince, KAWSwill appreciate these works, which are elevated beyond similar practices by other artists thanks to their thoughtful engagement with the past to deal with some of the knottiest ideas of the present. // Signup submission Michael Rosenfelds solo booth of collages, drawings, and sculptures by Nancy Grossman coincides with its presentation of her work at its gallery space, both titled Nancy Grossman: My Body. While the exhibitions were planned (and the gallery show opened) before the leaked draft opinion of the Supreme Court revealed plans to overturn Roe v. Wade, the connection between that decision and the works on view here, made during the 1960s, 70s, and 80s, is hard to avoid. The results feel like traveling back from the future and discovering well-preserved 21st-century ruins. 55.9 x 43.2 cm. // Signup validation And buyers must have been equally intrigued: Priced between $200,000 to $600,000, the sculptures sold out in no more than three hours. } The contemporary art . Von Zeipels work was also a highlight of the last pre-pandemic Art Basel in Miami Beach. } else { if (o[this.name]) { var ouibounceScript = '
frieze new york 2022 galleries