A man in line refers to boisterous teenagers in the Starbucks as niggers. Teach your students to analyze literature like LitCharts does. Gang-bangers. Rankines use of the second-person you also illuminates another kind of erasure, where dissociation becomes another kind of disembodiment that Black people are subjected to. 8389., doi:10.17077/0021-065x.6414. An even more pronouncedly racist moment occurs when the protagonist is in line at Starbucks and the white man standing in front of her calls a group of black teenagers the n-word. Unsurprisingly, the protagonist is right. You nobody. The iconic image of American fear. Claudia Rankin's novel Citizen explores what it means to be at home in one's country, to feel accepted as an equal in status when surrounded by others. The mess is collecting within Rankine's unnamed citizen even as her body rejects it. [White Americans] have forgotten the scale of theft that enriched them in slavery; the terror that allowed them, for a centruy, to pilfer the vote; the segregationist policy that gave them thier suburbs. It's a moment like any other. InCitizen, Rankine does more than illustrate the erasure and lynching of Black people, for the image of a deer is also used as a metaphor to symbolize the dehumanization of Black people in America. Back in the memory, you are remembering the sounds that the body makes, especially in the mouth. You can also submit your own questions for Claudia Rankine on our Google form. In Citizen, Claudia Rankines lyrical and multimedia examination of contemporary race relations, readers encounter a kind of racism that is deeply ingrained in everyday life. Overview Claudia Rankine's Citizen: An American Lyric is a genre-bending meditation on race, racism, and citizenship in 21st-century America. Teach your students to analyze literature like LitCharts does. "Citizen" begins by recounting, in the second person, a string of racist incidents experienced by Rankine and friends of hers, the kind of insidious did-that-really-just-happen affronts that. The artwork which is featured on the coverDavid Hammons In the Hood depicts a black hood floating in a white space. Rather than her book being one whole lyric, it can be The structure, which breaks up the poetics with white space and visual imagery, uses space and mixed media to convey these themes. This odd and disturbing choice of imagery, which blends a human face with a deer, acts as a visual representation for the dehumanization that Black people are subjected to in America. Our addressability is tied to the state of our belonging, Rankine argues, as are our assumptions and expectations of citizenship. From this description, it is clear that Rankine sees the I as a symbol for a human being, for she later states: the I has so much power; its insane (71). Claudia Rankine's acclaimed 2014 poetry book "Citizen" was a potent and incisive meditation on race. What did he say? Definitions and examples of 136 literary terms and devices. To demonstrate this, she turns to the career of the famous African American tennis player Serena Williams, pointing to the multiple injustices she has suffered at the hands of the predominantly white tennis community, which judges her unfairly because of her race. The heads in Cerebral Caverns become a visual metaphor for Rankines poetry, connecting the slavery of the past to modern-day incarceration. In response, the protagonist turns the question back around, asking why he doesnt write about it. 31 no. The therapist is yelling for you to leave, and you manage to tell her that you have an appointment. The lack of separation between clauses creates a sense of anxiety as there is no pause in our readingRankine does not allow us breath. Feeling awkward, the protagonist tells her friend that he should take his calls in the backyard next time. Sharma, Meara. The frames, which create 35 cells on either page, also allude to Black imprisonment, as the subjects appear to be behind wooden prison bars (Rankine 96-97). Jamaican-born author Claudia Rankine is the author of five collections of poetry, two plays, and numerous video collaborations. (That part surprised me.) The door is locked so you go to the front door where you are met with a fierce shout. In the same year that Michael Brown and Eric Garner's murders at the hands of the police sparked national protest, Claudia Rankine published her book Citizen: An American Lyric.Originally published in 2014, Citizen consists of poems, monologues, lyrical essays, artwork, and photographs, all of which explore microaggressions and their broader relationship to systemic racism. These papers were written primarily by students and provide critical analysis of Citizen: An American Lyric by Claudia Rankine. Definitions and examples of 136 literary terms and devices. A seventeen-year-old boy in Miami Gardens, FL. This erasure (Rankine 11, 24, 32, 49, 142) or invisibility (43, 70-72, 82-84) of Black people is also illuminated in the use of second-person pronouns, which displaces the Ithe individualand replaces it with a youa subject. Charging. When you look around only you remain. In this memory, a secondary memory is evoked, but this time it is the author's memory. As Michelle Alexander writes in. Claudia Rankine is an absolute master of the written word. In disjointed and figurative writing, Rankine creates a sense of desperation and inequity, depicting what it feels like to belong to one of the many black communities along the Gulf Coastcommunities that national relief organizations all but ignored and ultimately failed to properly serve after the hurricane devastated the area and left many people homeless. It's the thing that opens out to something else. After a tense pause, he tells her that he can take his calls wherever he wants, and the protagonist is instantly embarrassed for telling him otherwise. Ms. Rankine said that "part of documenting the micro-aggressions is to understand where the bigger, scandalous aggressions come from.". "Citizen: An American Lyric", p.124, Macmillan . Claudia Rankine, Citizen: An American Lyric. I nearly always would rather spend time with a novel. Brilliant, deeply troubling, beautiful. And this is why I read books. Returning to the unnamed protagonist, Rankine narrates a scene in which the protagonist is talking to a fellow artist at a party in England. By definingCitizenas lyric, Rankine is placing herself in the historically white canon of lyric, while also subverting it by using second-person pronouns. View Citizen_ An American Lyric - Claudia Rankine.pdf from ENG L499 at Indiana University, Bloomington. PDF downloads of all 1699 LitCharts literature guides, and of every new one we publish. It was a thing hunted and the hunting continues on a certain level (Skillman 429). Complete your free account to request a guide. Words can enter the day like "a bad egg in your mouth and puke runs down your blouse" (15). Rankine speaks with NPR's Lynn Neary about where the national conversation about race stands today. You are in Catholic school and a girl who you can't remember is looking over your shoulder as you take a test. You need your glasses what you know is there because doubt is inexorable; you put on your glasses. On campus, another woman remarks that because of affirmative action her son couldn't go to the college that the narrator and the woman's father and grandfather had attended. Instead, our eyes are forced to complete the sentence, just like how young Black boys are given a sentence, a life sentence, with no pause or stop or detour. Each word is a lyrical tribute to Black Americans and all that isn't shouted out on a daily basis. Best to drive through the moment instead of dwelling on it. In keeping with this indication that its difficult to move on from this entrenched kind of racism, Rankine includes a picture called Jim Crow Rd. by the photographer Michael David Murphy. Black people are being physically erased, through lynching and racist ideology (Rankine 135). In particular, the narrator considers what her own voice sounds like. Ominously, it got rave reviews from Hilton Als - whose recent memoir gave me similar migraines. This erasure would also happen on a larger scale, where whole Black communities would be forgotten about, abandoned in the crisis that was Hurricane Katrina (82-84). They have not been to prison. (84-85); Did you see their faces? (86). This direct reference to systemic oppression illustrates how [Black] men [and women] are a prioriimprisoned in and by a history of racism that structures American life (Adams 69). It shows the back of a stop sign with a street sign on top labeled 'Jim Crow Rd'. "The rain this mourning pours from the gutters and everywhere else it is lost in the trees. You exhaust yourself looking into the blue light. All day blue burrows the atmosphere. By the time she and her partner get to their house, the police have already come and gone, and the neighbor has apologized to their friend, who was simply on the phone. In particular, she considers the effect anger has on an individual, illustrating the frustrating conundrum many people of color experience when they encounter small instances of bigotry (often called microaggressions) and are expected to simply let these things go. Citizen is definitely a must read for everyone, especially if one day we hope to annihilate racism all together. This structure becomes physical in Radcliffe Baileys Cerebral Caverns(Rankine 119), which displays 32 plastered heads kept in a cupboard made of wood and glass (Rankine 165) (Figure 4). Essays for Citizen: An American Lyric. Many of the interactions deal with a type of racism that is harder to detect than derogatory slurs. Citizen by Claudia Rankine Themes Acceptance Identity Rankine argues that African Americans have had to sweep aside these microagressions and to accept how they are treated in order to be a good citizen, to survive, to not be the targets of law enforcement. Political performance art. The accumulative stresses come to bear on a person's ability to speak, perform and stay alive. The way the content is organized, Would not have made it through AP Literature without the printable PDFs. SHOTTS: It is an utterly amazing honor to work with Claudia. You'll also get updates on new titles we publish and the ability to save highlights and notes. Skillman, Nikki. This decision to use second-person also draws attention to the second-class status of black citizens in the US (Adams 58), or blackness as the second person (Sharma). It is agonizing to display our flayed skin to the salt of another day. In a way, Citizen becomes a modern manifestation of Alexis de Tocqueville, who wrote about the United States from a French perspective in 1835 in Democracy in America. The narrator hopes to be "bucking the trend" of the physical tolls racism imposes by "sitting in silence" and refusing to engage with racists (p.13). The next situation video that Rankine presents is about the 2006 soccer World Cup, when Zinedine Zidane headbutted Marco Materazzi, who verbally provoked him. Graywolf Press, 2014. The wearer of the hood no longer exists, and the now empty hood has been cut off or detached from the rest of the body. Still, the interaction leaves her with a dull headache and wishing she didnt have to pretend that this sort of behavior is acceptable. She joined me at The Kaye Playhouse at Hunter College in New York City. The erasure of Black people is a theme that is referenced throughout Citizen.Rankine describes this erasure of self as systemic, as ordinary (32). (including. Hoping he was well-intentioned, the woman answered . The mass incarceration of Black people, which was made explicit in the content and emphasized in the form, is reinforced in Carrie Mae Weems Black Blue Boy (Rankine 102-103), which features the same young Black boy in each of the three photographs (Figure 3). 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